Tuesday, 31 March 2015
Monday, 30 March 2015
Tuesday, 24 March 2015
Applying Textures to Model
Two textures, one placed over the other with the addition of colour for the below ground studio space |
One texture, with the addition of colour for the above ground client studio space |
Final Product - Feature wall running behind the staircase in the below ground client studio |
Final Product - Glass cabinets with texture applied to the front. Possibility for multiple colour schemes depending on product being displayed. Located in the above ground client studio space |
36 Custom Textures
Textures for the below ground client studio workshop
Textures for the ground floor show space
Textures for the above ground client studio workshop
Friday, 20 March 2015
Week 6 Reading - The Digital Turn in Architecture 1992-2012 (Mario Carpo – “Morphogenesis and Emergence” by Michael Hensel, Achim Menges and Michael Weinstock (2004-2006) Pages 158-159
‘Michael Hensel, Achim
Menges and Michael Weinstock are keen to point out the difference between
‘emergent’ properties in life and in computation, and the gap between nature
and machinic production’. I think this sentence really sums up the Morphogenesis and Emergence article. I
strongly agree with the point of view of these three men. The use of computers
and computer aided design doesn’t just necessarily make designing a structure
easy, but it also has a crucial impact on the types of materials that can be
used and to what extend they can be used, not only in the form of a building
but also the structure and performance of a building. Once upon a time the only
way of knowing how a certain material was going to work was to build a scaled
down model, whereas today we are able to test quite easily on computers
irregular materials and patterns of materials to get a better understanding of
the way they are going to perform. The computers are not only a positive impact
on the design of the building itself, but they also have a major impact in the
fabrication of the materials. Digitally controlled machines are being used as
an alternative to manually modelling materials, to recreate the structures we
design, so as to not have to spend as much time to put these materials
together. Computers and computer aided design are definitely having a major
impact on the world we live in, and I believe that the world will be a better
place because of it.
Quote: The Digital Turn in Architecture 1992-2012 (Mario Carpo) “Morphogenesis and Emergence” by Michael Hensel, Achim Menges and Michael Weinstock (2004-2006)
Quote: The Digital Turn in Architecture 1992-2012 (Mario Carpo) “Morphogenesis and Emergence” by Michael Hensel, Achim Menges and Michael Weinstock (2004-2006)
Wednesday, 18 March 2015
Saturday, 14 March 2015
Week 3 - A Universe of Discourse
What is an algorithm?
A set of procedures consisting of a finite number of rules,
which define a succession of operations for the solution of a given problem. In this way, an algorithm is a finite sequence
explicit, elementary instructions described in an exact, complete yet general
manner.
What is Computation?
Is the processing of information and interactions between
elements which constitute a specific environment, the pivotal word being
interactions. Computation provides a framework for negotiating and influencing the
interrelation of these data sets of information, with the capacity to generate
complex order, form and structure.
What is an Open System?
An open system is defined as a system in exchange of matter
with its environment, presenting import and export, building up and breaking
down of its material components (Ludwig von Bertalanffy)
What is Generative Morphogenesis?
Natural Morphogenesis, the sequential biological events
which define the development of an organism from initial generation to mature
system, derives complex organisation, form and structure from the interaction
of system-intrinsic material capacities and external influences and forces.
All definitions from Computational Design Thinking (2011) Pages 10-29
Computational Design Thinking Pages 10-19
‘The open-ended characteristic of evolutionary computation is of
particular interest for architecture, as a design task can usually not be
comprehensively described as a problem, but rather as an opportunity for
creating novel possibilities within the framework of a given brief’. This
phrase really connected with me when reading as I found that architecture today
is still quite heavily influenced by structural properties, features and functions
of buildings in the past. I think that today these qualities of a building are
still being thoroughly researched with technology that is readily available to
us, and will always play a significant part in the process of designing and
constructing a building. Over time, evolutionary processes are significant in
improving the knowledge of design computation to help improve the cities of the
future. Things in other fields such as
natural morphogenesis will help to develop information in relating internal and
external forces of the surroundings to really expand the formation within
architecture. This sort of thing will also expand the knowledge of relationships
such as materialisation and formation. In the
Archaeology of Knowledge and the Discourse on Language by Michel Foucault, Foucault expresses two
notions of the right and wrong ways to approach history. His view seems as
though certain discourses and continuities may turn up again in the future, but
much more advanced and relatable to that time in the future, based on what will
have been faced through evolution.
Quote: M Hemburg, A Menges and U O’Reilly, ‘Evolutionary
Computation in Architecture’, in Architectural design, vol 74, no 3, Wiley-Academy
(London), 2004, pp48-53.
Wednesday, 11 March 2015
Sunday, 8 March 2015
Computation or Revolution Pages (76-85)
‘Productivity isn’t everything, but in the long run it is
almost everything’, is a notable assertion by Paul Krugman. Productivity by the
use of robotics is commonly found in many areas of industry, but can there be robotics
in Architecure? Specifically in Architecture, there has already been a case
carried out at EZCT Architecture and Design Research in 2010 whereby an ABB IRB
120 robot was developed to simplify the communication between industrial robots
and CAD software. This is now known as the plugin Grasshopper. I think this as
an example of how architecture can implement the use of robotics for the
better, helping develop a way of creating generative algorithms.
Introduction – The Digital Turn In Architecture
In
the introduction, it states ‘a meaningful building of the digital age is not
just any building that was designed and built using digital tools: it is one
that could not have been either designed or built without them’. I think this
is a very powerful statement relating to the way architecture has changed over
the last century, having a positive impact in the built environment. We are
able to see, communicate and understand ideas and designs easier and very
quickly and easily make a change for the better. In the early 1990’s there was
an emergence of technologies that gave architects the ability to produce
splines, something that previously required a lot of time mathematical
equations that now is quite pointless. The manipulation of these lines also
became very easy with software that included the use of interfaces and vectors,
something that wasn’t as easy when hand drawn.
There are a lot of people out there who do not believe that digital
technology is the best way forward and is affecting society, the economy, our
culture and our everyday lives, but I personally believe that there is so much
more out there to learn and be discovered, not only in the way of architecture
and design, but in the technologies and software that are being used to create
and communicate these designs. The last sentence ‘The most momentous days of
the digital turn may still be ahead of us’ is one that I can relate to, as I
can’t wait to see what lies ahead in technology and architecture.
Monday, 2 March 2015
ARCH 1101 Class 1
Bedroom Render: I am really interested in visualisation and renderings, so in TAFE this was a part of my final project along with a few other renderings. By the end of the CoDe course I want to be able to produce renderings whereby people have to question whether it is a render or a photo.
Marina Bay Sands Hotel Singapore: I really love the way this building stands out and catches your eye. It looks just as beautiful during the day as it does at night. I'm really interested in architecture that is appealing and jumps out at you.
Kinkaku-Ji Temple in Japan: On a recent visit to Japan I was lucky enough to see the Kinkakuj-Ji (The Golden Temple) in Kyoto. I really love how amazing this temple looks and fits in with the nature surrounding it. I think it is just really aesthetically pleasing.
Hazan Motorworks
Creature: Ride: Powerful
Rolex
Timepiece: Connection : Elegant
Christian Benner Custom
Jacket: Worn: Rustic
Subscribe to:
Posts (Atom)